The work of Carrie Mae Weems (born 1953), a highly honored contemporary African American artist, is widely praised for its examination of “race, gender and class.” This latter formulation, associated with the rise of identity politics, is virtually embedded in the DNA of so much contemporary art, especially that which is considered, or considers itself, “political” or “radical.” But the focus is really on race and gender, while class is relegated to a negligible position in the triad.
